Tuesday, March 18, 2014

The First Lady of Cinema and How She's Pushing Feminism to the Next Level.


“Youth, my youth. Where have you gone? Why do tears come to my eyes at the very thought of you?”
         
         Daisies was directed by Vera Chytilova in 1966. After winning the Grand Prix at the Bergamo Film Festival in Italy in 1967, it was immediately banned. The story follows two girls who are trying to figure out love and the world around them. Daisies is one the most known surrealist films that has come out of Czechoslovakia.
            Vera Chytilova was born on February 2, 1929 in Ostrava, Czechoslovakia. Ironically, she just died on March 12th of this year. An avant-garde filmmaker, she was considered the “first lady of Czech cinema”. Her films were acclaimed for visual experimentation and for bold unmasking of the moral problems of contemporary society. Her art belongs to what Sergei M. Eisenstein described as "intellectual cinema", that embraces the mix of "avant-garde", "cinema verite", "formalism", "feminism and, with a good deal of humor.
            The film starts out with the main two characters talking to each other about how “the world is just spoiled”, and since the world is spoiled, they should be spoiled too. After this decision has been made, the two young girls run around Prague living frivolously and destructively towards themselves and the world around them. I decided to do research on the difference between feminism in the US and in Czech. I came to find that our views are basically opposite. For us, being a strong woman means a career, able to stand with guys, and going away from the traditional housewife. However, in Czechoslovakia, women view working nonstop as an old way of life seeing as how they were forced to work during the communist era. That being said, this film embraces women being carefree and asking questions about life, love, and existence.
            As the young girls trash the city, get drunk, seduce older men, and eat everything in sight, they begin to ask questions that I feel like all women should ask. In one scene, Julie asks why do we have to say, “I love you” why can’t you say something as simple as “egg” and have it mean the same thing? She wants to understand why and how those words mean so much when it’s obviously not about the words at all. Another theme is the questioning of existence. They start to ask each other if they’re real at all and if so, how do they know? One actually states that they might not exist because they don’t really have any strings attached to them. They don’t have families, jobs, or anything holding them back. So what makes them exist? I love this concept. It makes complete sense to me. If you’re not changing or affecting the world around you, do you exist? Does it matter if you do or not?
            This film is all about indulging and feeding into your urges. Not all of your desires or urges will be necessarily bettering for you or the world, but there’s something just beautifully sublime in just giving in to everything you want, to forget the social pressures and obligations that weigh down on you and to run free exploring your surroundings and your own self. I would love to not exist for a day.


A link to "10 things to learn from Czech women"

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